"Costume designer Sydney Maresca extract[s] maximal laughter from every sequin."
New York Times (The Lapsburgh Layover)

"Sydney Maresca's costumes beautifully evoke a period young theatergoers may not know existed."
New York Post (Finks)

"Sydney Maresca's costumes have a let's-play-dress-up charm throughout."
New York Times (The Yellow Brick Road)

"Sydney Maresca's costumes--especially the flared skirts and dressily casual men's clothes--are accurate right down to the last tie clip. For reasons of the plot, one couple, on their way to a costume square dance, is clad in cow outfits--the husband's suit has a set of pink udders on his chest--and even these ridiculous getups are done with real attention to detail."
Lighting and Sound America (Blood Play)

"The minimal set is complemented by Sydney Maresca's fabulous costumes - notably the wicked bruja's Dia De Los Muertos-inspired gown."
Time Out New York (The Yellow Brick Road)

"Sydney Maresca's beautiful period costumes are the icing on the cake."
NYTheater.com

"Sydney Maresca's many period costumes — both the crisp and the lush — were eye candy and just right."
Backstage

"Costume designer Sydney Maresca . . . deserves commendation. With only two performers, Maresca's costumes are crucial in making the characters immediately distinguishable from each other. Thureen's magic bikini briefs, in particular, are hysterical and perfect."
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